I dabbled forever in art and many of its malformed afterbirths before finally taking a shot in editorial illustration,
which I couldn't be more happy with.
My style is a bastard of 1930 goldenage surrealism and 2019 vector art dilettantism. I like bright colors telling me terrible things.
Favorite subjects to draw center timeless topics such as power, money, science, death, love and fried chicken.
Outside of work you usually find me developing vegan recipes, losing at overcomplicated board games or starring at a dead tree, hallucinating.
(I wanted to say something more interesting than reading.)
Waste no time...drop a line!
BMW Austria / Mercedes Austria / T-Mobile / Erste Bank & Sparkasse / Red Bull / Barbie / REWE Group / Thalia / Beyond Carnism / MS Dockville / Millerntor Gallery / Jugend Forscht / Immofinanz / Gärtner Möbelhaus / New York Magazine / The Guardian / OUT Magazine / Wirtschaftswoche / DIE ZEIT / GQ Germany / Die Presse / My Toys / Van der Bellen / KOSMOS
Wynken, Blynken & Nod / Jung von Matt / PKP BBDO / Demner, Merlicek & Bergmann / Zimmermann Editorial /
Cannes Young Lions (2015, 2016) / Illustration Friday (2x) /
Adobe Students / Illustration Age / Digital Arts Magazine /
Medium /The Association of Illustrators / PAGE /
Design made in Germany / Millerntor Gallery / VÖZ Best Team /
Loves Me, Loves Me Not / A number of oscars (Which is technically correct, because zero is a number)
to work on
Liquor packaging / Textile or wallpaper Pattern / Gold bars /
Matagot Inis 3th Edition / Vegan restaurants that will pay in food / Hamburg postage stamp / Anything plant related
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